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i.

 

it was

like a severe concussion

 

a fragrant flower forever imploding

 

a brilliant blue iris

from which a moist tear never unfolded

 

it was

a bold swipe of mascara

 

on a bundle of delicate organs

 

a tempest battered cove

of bruised frangipani petals,

 

roasted breadfruit and boiled châtaigne;

 

con las uvas de la playa bien exprimidas,

sin merced, ni jamás... misericordia.

 

 

 

ii.

 

 

y así, andaba yo

consciente de mi ser entero

 

con toda su "joyería" 

 

uñas acrílicas de transparencia cristalina

dientes afilados de oro de la Orinoquía  

 

de las ojeras profundas recién acuñadas

y los ojos tapados con monedas de plastilina 

 

de mi pinta extremadamente pálida

pez indígena, y el ser...  

 

dejado en blanco.

 

 

 

iii.

 

 

clownfish and anemone

anémona y pez payaso, y variopinto 

 

two pallid upturned palms clasped

like the twin palms of a drowning sailor 

 

dos manos

como dos alas gemelas

 

sagradas y suplicantes 

 

frenetically intertwined in sexo simbiótico

flesh glowing like virgin alabaster 

 

descending the spiral flight of stairs alone

one hand grasped firmly within the cup of the other 

 

as if he were his own

belovèd son.

 

 

 

Depth Memory Shot & Solipsis©2011 by W.Gentieu

Views: 41

Tags: Will Gentieu, bilingual poetry

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Comment by Will Gentieu on March 5, 2013 at 9:06am

Thanks Althea ~

Certainly all of those elements. When I was young I slipped on a dock and had a severe concussion as a result. Any blow to the head tends to drive the mind... into itself... for a while;

as we are also driven into the externalities of life, from the proximate of the now, towards the approximate... immersion... in the future... in solitary accompaniment with ones self. Some thoughts anyway... stranger in a strangely familiar land, always.

Saludos ~ 

Comment by Althea Romeo-Mark on February 26, 2013 at 5:41pm

Beautiful imagery.  I sense irony, contradiction and ultimately tragedy in this poem. Tell me if I am wrong.  I will read more of your work.  I have too many pots on the fire right now but looking forward to spending more time here ( as soon as  some of my creative cooking is done).

Comment by Will Gentieu on February 4, 2013 at 9:57am

Would be delighted to hear it Howard.

One of my regrets is that I don't have the voice of a Bukowski, a Nick Cave, or an Amiri Baraka let's say, to put these words of mine properly into the air.

 

The sound track of one of those videos on my page (Homenaje a Franklin Brito) is actually an excerpt from something I did with some musicians in Dublin.

 

Saludos ~ W.G.

 

Comment by Howard Fox on February 3, 2013 at 6:05pm

I have tried this again like your Araya verses as a freely song sung slowly to oneself with the tune of 'there is a train in spanish harlem' with a few variations as the breathing dictates. I really must try and make a recording of it sung, and get a version across to you. The differences between texts for singing and poetry is subtle, and this poem really sounds a wonderfully complex lyric when sung. 

Kind regards,

Howard

Comment by Will Gentieu on February 3, 2013 at 1:28am

English translation of Spanish segments: (W.Gentieu)

 

...the beach grapes squeezed out 

with no mercy, nor clemency ever.

 

thus, I walked 

conscious of my entire being 

of its shop full of jewelry 

acrylic fingernails of crystalline transparency 

sharpened gold teeth from the Orinoquía (Columbia)

 

of deep dark circles around the eyes, newly minted

 

and the eyes capped with plasticine coins

 

of my extremely pallid appearance

 

indigenous fish, and being

 

left blank... unfinished

 

...anemone and motley clownfish...

 

...two hands

 

like two, twin wings, sacred and supplicating...

 

 

Saludos ~ W.G.

 

Solipsis* - definition 

 

 

NB- Comments welcome 

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